Art of Tones Harry Wolfman Hod Stash 2 Rar
A Labor 24-hour interval Laid Back Phish Mix
Posted in Uncategorized with the tags Jams, Miner'south Picks on August 30th, 2008 by Mr.Miner
As everyone heads home for a 3-mean solar day Labor Mean solar day weekend, it is a time for relaxation, end-of-summertime barbeques, and friends. Mark the end of the 4th, and in all probability, the last Phish-less summer for a while; it is a time to kick dorsum and accept in the flavour'south traditional finale. We may now have less than a year left without the powers of the Phish- and that my friends, is quite exhilarating.
With a Trey tour on the brink of announcement, Mike's bout raging hard, and Fish and Page nigh to sit in with other bands, things are good in the land of the Phish. People seem good for you and happy to exist playing 
The songs for "Miner's Picks: Labor Day '08" were selected without a focus on whatsoever ane era, merely generally called for their laid back vibe- for the most part. Just a collection of Phish greatness from over the years to accompany you lot over this transition dorsum into September. Its over iv and half hours of sick, withal, chiller jams, with some nuggets of darkness thrown in. Enjoy the weekend, the tunes, and run into yous in a day or two.
MINER'S PICKS: LABOR DAY PT 1. <<<<DOWNLOAD LINKS!!!
MINER'S PICKS: LABOR DAY '08 PT 2.
MINER'Southward PICKS: LABOR DAY '08
1. Mellow Mood ix.8.00 Albany, NY
2,iii,4. Illness > Accept Mercy > Disease 11.12.94 Kent St, OH
5. Slave to the Traffic Calorie-free ten.31.94 Glens Falls, NY
6. Reba half-dozen.13.94 Kansas City, MO
7. Antelope 3.xx.92 Binghamton, NY
eight. Harry Hood 4.eighteen.92 Stanford, CA
9. If I Could 12.29.94
i 0, 11. Mike's > Exhale (instr.) x.25.95 St. Paul, MN
12. Tweezer 7.vi.94 Montreal, Can
thirteen. Simple 11.18.96 Memphis, TN
14. Weekapaug 7.ii.1994 Garden St. Arts Cntr, NJ
15. Slave to the Traffic Light 10.6.1995 Vancouver, BC
16. Harry Hood 8.10.96 Alpine Valley, WI
17. Tweezer xi.23.94 St. Louis, MO
xviii. Bathtub Gin 9.29.00 Las Vegas, NV
19. Down With Disease 12.xxx.03 Miami, FL
twenty. Fluffhead 4.13.92 Tempe, AZ
21. YEM 11.xviii.95 No. Charleston, SC
Tags: Jams, Miner's Picks
The Night The Moma Was Born
Posted in Uncategorized with the tags 1997, New Years, Songs on August 29th, 2008 by Mr.Miner
It was late one wintertime night, by midnight in fact, when The Moma Dance first joined the world. It'southward older and rougher sis Katy, had stomped effectually all autumn- making particularly boisterous appearances in Hampton, Cleveland and Winston-Salem. But tonight, a baby would be born. Information technology was December 30th, 1997, and Phish had merely finished playing a marathon, Harpua-laced, 2d set with an long and twisting AC/DC opener, a astounding Hood and a smoking Guyute to close the set; and with all that enthusiasm, the Phish had accidentally played way by the MSG curfew of 11pm. It was a quarter to twelve, but instead of killing the hyped crowd without an encore, Trey announced they would "just continue playing until New Years Eve," since the fine had already been levied. And then the band played on, and that'southward when our story begins.
Information technology just seemed proper that on such an occasion, the encore would match the crazy and unique situation. A bear witness which had unleashed the first Sneakin' Sally since 1989 , and was crystallized past Harpua and the 
Nevertheless, as the chorus ended, and Trey would usually rip into a seething solo, the band just dropped into the well-nigh ridiculously muddied segment of music. Information technology'south the crunchy and metallic dinosaur residual of Carini mixed with the deepest, slowest, most '97est funk. It is the greatest. It's merely about thirty seconds before they gradually achieve a change, and began playing Black Eyed Katy- slowly- actually slowly. So slowly that after the testify, many fans hadn't even realized that they had played Katy at all.
Not to be seen over again until the debut of "The Moma Dance" in the dark stone surroundings of Copenhagen's Den Gra Hal, this version in New York was truly the dark the band figured out what they would practice with this ridiculous funk groove. Slow it downwards a bunch, throw some lyrics on superlative, add a chorus, and- smash-anybody'south favorite song. At to the lowest degree for a while. But it was i of those that got every one out of their seat and amped every fourth dimension. Even the non-dancers managed to go some sort of rhythmic or arrhythmic groove on to The Moma Dance, as information technology became a setlist staple for years to come.
The song truly became a relic of the funk era, a reminder of what Phish was doing every night during 1997. It was only fitting that it would transform with a alter of the calendar, in the early moments of New Years' Eve. Taking only the Isle run off before coming back to a white hot spotlight during the summer and fall of 1998, The Moma Trip the light fantastic toe would grow, mature, and go an developed Phish song. But now you know the story of its' nascency and when it took its first thick breaths of funk on a common cold winter night, a long time ago.
Listen TO THIS Epic ENCORE NOW!>> CARINI > Blackness-EYED KATY > SALLY REPRISE > FRANKENSTEIN
===
DOWNLOAD OF THE DAY>> four.21.92 Redwood Acres, Eureka, CA
Forth Phish's famed spring w coast run in 1992, with the band's best playing to that point in their career, they stopped in Humboldt Canton for a show. Smack in the center of hippie-primal in Northern California, a polished and young geeky-hippie ring from Vermont threw downwards a sick show among clouds of weed smoke covering the pocket-size venue. Taken from an archived Phish.net review, Trey appear before the encore, "We promise y'all enjoyed the show every bit much as nosotros enjoyed your dope!" Ah, the quondam days. A raging set endmost Bowie foreshadowed what was to come. The ballsy 2nd ready features an chance with Colonel Forbin on a houseboat to find the evil King Wilson, a gorgeous Tweezer that still stands out today, and a trigger-happy Mike's Groove. Enjoy some old school greatness!
04-21-92 Redwood Acres Fairgrounds, Eureka, CA
I: Suzy Greenberg, Uncle Pen, Split up Open and Melt, Rift, Guelah Papyrus, Possum, Information technology'southward Water ice, Eliza, NICU, Billowy Around the Room, David Bowie
Two: Dinner and a Movie, Colonel Forbin's Rise > Famous Mockingbird, Tweezer, Tela, Mike's Song > I Am Hydrogen > Weekapaug Groove, Counterbalance, Catapult*, Lively Upward Yourself, Vocal Jam, Sanity, Maze
E: Memories, Sweet Adeline, Cavern
*Mike only, a capella.
Tags: 1997, New Years, Songs
Scents and Subtle Sounds
Posted in Uncategorized with the tags Songs, The Moment on August 28th, 2008 by Mr.Miner
If you would only start to alive
One moment at a time
You, would I think, be startled
by the things that you lot would find
Creeping out like a the opening of a quondam fable, Scents and Subtle Sounds begins. Whispered like ambiguous life instructions to their audition, as we navigate an overwhelmingly circuitous modernistic historic period, Trey and Tom suggest a more than examined life- with simplicity comes virtue. With slowed down conscious moment-to 
Like scents y'all never noticed
And many subtle sounds
like colors in the landscape
And textures of the town
Running belatedly, sipping coffee while getting off the subway, working with our head cached all twenty-four hours; only to 
So the winds will would elevator you lot up
Into the sky to a higher place
And y'all'd be treated to a view
Of everything you love
If we live in the moment- every moment- recognizing what it provides for us, we are jump to succeed. Good or bad, foolish or smart, each moment is there to live to the fullest, teaching united states, bringing us up into the sky above. If nosotros are true to ourselves, true to the moment, truthful to our souls; we will exist always surrounded by love. The winds of inspiration will accident eternal for usa if we live focused for only the nowadays, because in reality, in that location is nothing else. Just every bit Garth one time allowable Wayne, "Live in the now!"
And if the moment passes
Y'all should effort it once over again
For if you do information technology right
You lot'll observe that moment never ends
Nosotros all brand mistakes. We tin't always exist present, and that sensation of being in the moment is oft 
If you would stop and notice that we number every day
But allow the many moments left uncounted slip away.
We, as a mass culture, are missing information technology. Ripping pages off the calendar, stretching for the weekend, but assuasive the fabric to go unnoticed. In that location is beauty in all moments, and we ofttimes cull to ignore it. Nosotros must attempt to appreciate each experience for the value it has, and movement from ane focused experience to the next. We need to pay more attending.
You don't have to count them, just savor them one by 1
So things would have a different hue and sparkle in the sun
The air current would lift you up into the heaven
Just alive. Don't count experiences. Don't count shows. Don't worry about how much of one affair or some other you have- only enjoy. Only exist. Rage every moment of every Phish evidence- rage every moment of every day. Rage our showers, and our dreams; rage our classes and our families. Rage life unconditionally. If we can but alive for the sake of living, moment by unfolding moment, things might look a little different and "sparkle in the lord's day." And here are those winds over again.
The winds would elevator you up into the sky above
Where you would run across a trail of treasured memories you love
A rainbow record of the thoughts and moments yous've enjoyed
Arcs behind the earth equally spectral colors in the void
The void- nothingness, everything, the universe, eternity. Lyrical verse that barely needs interpretation. Valuing the now will lead to rainbow trails in eternity. Spectral memories of moments you enjoyed; yous didn't lose rail. You did it. You never lost sight of the big picture for as well long, and never lost sight of the fabric- the invisible fine art that paints our daily moments and inner galaxies- colors in the void.
At least that'southward what I think the song is about.
=====
Download of the Day: E Centre: Salt Lake City, Utah eleven.14.97
A year before shocking the Phish earth by dropping "Dark Side" in this venue, Phish played an incredibly adventurous two sets that truly ready the tone for Autumn '97. Boasting the kickoff "4 vocal 2d set up" of Fall 1997 in Wolfman'southward > Piper, Twist > Slave, this evidence was a huge foreshadowing of the type of playing would sally on the now legendary tour. With a commencement set up featuring a quality Runaway Jim, Gumbo opener, a funkadelic 2001>Funky Bitch, and a hot Antelope to close; this show smokes from start to finish. Download and listen to the show that actually got Fall '97 kicked off subsequently a solid warm up in Vegas the nighttime before. The second set is a tin can't miss gem.
Too, Miner'south Picks: Summer '99 have been updated to Mediafire.
eleven/fourteen/97 E Center, Salt Lake City, UT
Prepare I: Runaway Jim, Gumbo, Maze, Fast Enough For You, Gumbo, Besides Sprach Zarathustra >Funky Bitch, Guyute, Run Like An Antelope
Set Two: Wolfman'due south Blood brother > Piper > Twist > Slave to the Traffic Low-cal
E: Bold Equally Love
Tags: Songs, The Moment
Den Gra Hal – "Download of the Solar day"
Posted in Uncategorized with the tags Grey Hall, International on August 27th, 2008 by Mr.Miner
What happens when you contain the forces of Phish with an intimate stone befouled in Scandinavia? Throw in the fact that the befouled is located in the center Freetown Christiania, Copenhagen- an old semi-autonomous hippie customs from the early '70s. Marijuana, hash, and mushrooms are peddled openly at stands in the boondocks's middle square, a few hundred yards from the door to the venue- which could just fit a couple thousand people at most. The whole town wasn't more than a few city blocks in surface area, and the only posted rule in the village was "no hard drugs." These volatile ingredients were the recipe for outstanding Phish jams and a lot of excitement. This was Den Gra Hal- a former horse stable turned music venue- which Phish blew apart as the beginning of their Summer tour in 1998.
The few hundred Americans who stumbled upon Christiania the nighttime before the starting time show show were greeted by a multi-colour graffiti laden building, The Greyness Hall, in which Phish would be playing the adjacent three nights. Information technology certainly had a unique vibe. Equally fans
Phish made proficient on Trey's recommendation, playing a well-over 3 60 minutes show on the offset night to boot off the party featuring such highlights every bit the first Moma Trip the light fantastic, a huge Mike's, a Stash>Cities, a reworked Ghost, a Tube, and a Wolfman's> Frankie Sez> Antelope. There was no messing around on the commencement nighttime of tour, but I have come to discuss the second night.
Sometimes y'all leave a show knowing that Phish just threw down the gauntlet. Y'all know that throughout 
Information technology was all so cohesive; progressing naturally through multiple groove segments, screaming to the inner dancer in us all. Settling in with bass and clav grooves, the music built to a place where Trey subtly joined in the texture before moving into atomic number 82 melodies that perfectly 
This was all happening in a tiny barn in Denmark! Yeah, this was dreamland- it had to be, this is what I'd always dreamed of. A third section of the jam was initiated by Fishman, and the band sounded like they had rehearsed these changes as they flowed effortlessly through some of the smoothest most refined music. Trey wove melodic tales in the context of the ring'south framework, soon giving way to some of his more explosive soloing in the jam. As the band morphed into some other place, Trey reaches upwards to the majestic heaven with his melodies. His playing gets sublime before the band melts into ambience on their way to a precise and slammin' fifteen minute order-version of 2001.
Leaving the outer-infinite magnitude for the amphitheatres later in the summer, Phish ripped a notably clean 2001 with little dissonance and distortion, and lots of spot on funk. Anybody played tight lines, totally bouncing off each other; Page highlighting his Rhodes, Trey consistently improvising melodies, Mike thumping abroad adhesive, and Fishman conveying, while accenting, the rhythms. This faster note-heavy version of the song was perfectly suited for the size of the room where the audio did not demand to travel more than than several hundred feet. The room was crowded, all the same had free energy pockets that had been popping off since the beginning of the set, with plenty of room to move and receive the magic. This is what it was all about- losing yourself to a massive Tweezer in a tiny befouled under a wooden roof and a purple star-lit sky.
Sometimes foreign Phish shows, similar The Grayness Hall, bring a new appreciation for the evidence feel altogether. With few in omnipresence for tangential reasons, the focus of anybody is on the band. The space between the band and crowd is all but eliminated, as club shows morphed into nightclub parties which ring members often attended. Anybody had disrepair out their passport and trekked across oceans to get there- this wasn't home turf- so in that location were no chips carried on anyone's shoulder. No 1 was there to hang out in the "lot," and oftentimes strange Phish-goers were the almost mellow of all. During that summer in Europe and, subsequently, in Japan, I vowed never to miss some other strange Phish evidence. Permit'due south promise I tin take myself up on that.
"Tweezer > 2001" 7.1.98
[audio:http://phishthoughts.com/wp-content/uploads/2011/03/2-01-Tweezer.mp3,http://phishthoughts.com/wp-content/uploads/2011/03/2-02-Likewise-Sprach-Zarathustra.mp3]
—-
DOWNLOAD OF THE Twenty-four hours LINK : 7.one.08 Den Gra Hal: Copenhagen
This Scandinavian epic is going to kick off Phish Thoughts' "DOWNLOAD OF THE Twenty-four hours." In response to multiple requests for full-show downloads, the "DOWNLOAD OF THE DAY" volition be one bear witness, in its entirety, up for download on the site each day. Along with the link, there will be a short review of what the show is all about.These will be standout shows with great audience sources- they will sound crispy.(In that location will be archived links, and then you don't need to download every day.)
In response to recent slow download speed, I am using Mediafire + bandwith as a temporary solution until I become my own host. Lamentable about the slow Sendspace links, revision is in the works. Miner's Picks: Summertime '95 pts. 1 and 2 are on Mediafire already, and when I wake upward all of '95 and all DJ mixes will be bumped over to Mediafire for faster access. I promise y'all check back every 24-hour interval and have advantage of this welcome improver to Phish Thoughts. The start selection, every bit reviewed above is:
7/01/98 The Gray Hall – Freetown Christiana, Copenhagen
I: NICU, Sample In a Jar, My Mind's Got a Mind of Its Ain, The Moma Dance, Downwards With Disease > Dog-Faced Boy > Piper, Waste product, Chalkdust Torture Set
2: Tweezer > 2001 > Loving Loving cup, My Soul, Sweet Adeline
E: Harry Hood
(photos: russ kahn)
Tags: Grey Hall, International
Creating Your Platonic Jam
Posted in Uncategorized with the tags Jams on August 26th, 2008 past Mr.Miner
What if y'all could create your favorite Phish jam? You could codify and build ane Phish jam sequence for the rest of your life. That's all- nothing else, but it would be exactly what you lot wanted. Like sitting on the proverbial desert island with a boombox fully loaded with this ane jam- for the residue of time; happily. If you tin disregard the absurdity of the proposition, it tin can certainly open up upwards an interesting conversation.
First off, I would desire something of at least twoscore+ minutes that hits on multiple Phish realms- grooves, bliss, ambient space, evil darkness- all wrapped into 1 jam. It would need to be exploratory, yet cohesive; out there, withal directed. The jam would have to posses an 
The jam would nearly definitely accept to travel to an abstract Phishy-ambient space, with Fishman playing shimmering beats, bringing the music deeper. Page, Mike and Trey would be an amorphous ball of harmony and melody. This jam might seem that information technology was heading for a landing point, but the whole band would spring on a new idea and take the abstruse jam to a much darker place. It would and so build into 1 of those delicate and sacred places, where the band simply oozes "it," and Trey would enter his "spiritual" playing with divine phrases and licks. The ring would motion as one through this airplane, bringing you along for the ride. Things would just become subconscious- for them, for you, for everyone- the unifying spirit; completely unique experience. Led past improvisation that yous don't see every 24-hour interval, and would virtually definitely write home well-nigh, this jam would posses at least some of the answers. Phish would then somehow creep the music, unsuspectingly, from the depth, back to where you thought information technology was going in the first place.
Seamlessly transitioning into a new vocal that they nail- just equally the adventure was over, in that location would be a new beginning- they would start to jam out of the end of the song for the only fourth dimension in the band'south career! You always knew this song could attain another level if they used the ending 
To me, there is actually but one answer to this seemingly impossible question. I just described it. The Isle Run's Roses>Piper.
Listen and lookout below.
What is your "desert isle" jam? Answer in comments and outset a conversation!
SOME SNIPPETS FROM THE JOURNEY:
ROSES ARE FREE Role 2
ROSES Part three
(photos: Nassau 4.iii.98, Joel Price::video: silverchair97)
Tags: Jams
Summer '95: Psychedelic Warfare
Posted in Uncategorized with the tags 1995, Miner'southward Picks on August 25th, 2008 by Mr.Miner
With summer winding down, and visions of tours past dancing in our heads, I desire to focus one more post on a summer tour- musically, my favorite summer bout of all time- Summertime '95. This summertime was not for the lighthearted, equally Phish was at its peak of psychedelic experimentation in the truest sense. Straight mind-fucking madness 
Experimentation was paramount this summer; risk taking with no abandon- jumping into the void without knowing what would come up out. With the depth of the ring's advice, and a focus on very dark and psychedelic run a risk, fans had to dig in each nighttime. Y'all were never
Their playing this summer featured more than insane improvisation- the kind when you tin can't remember what song they were in, because in essence, they weren't in any- they were just letting it hang out. Some fans reject this fashion as 
Yet, with these dark adventures came divine moments of bliss as well- heavily improvised Reba's, ultra-tight Hoods, and triumphant Slaves seemed to fit right in with these night themed shows. The focus on precision playing and communication brought these 
This was likewise the concluding tour that was happening in conjunction with Dead tour- it would all change after this. Phish's scene would grow much bigger, alluring the hangers-on of Dead bout who were but out there for the lifestyle and the lot. And some would begin to come for the music too. The Phish scene was however purely Phish during Summertime '95, and it would be the last time that this would be the case. The whole size of the scene would begin to multiply after this blissful summer in Gamehendge, and things would never quite exist the same.
At that place would come a loss of Phishy innocence after this summer, and many saw the twelvemonth of 1995, culminating in the triumphant New Year's show at MSG, as the peak of Phish's career. While information technology certainly was the absolute pinnacle of their career and style upwards to that indicate, they would go on to redefine themselves into the industrial groove machine that dominated the late '90s with danceadelic shows and quite a dissimilar fashion of play. Some people stayed, some left, and a whole lot more came. But Summer '95 was when Phish'southward teeth were razor abrupt, and you had to survive a trip into the jaws of the band each and every nighttime. Coming out live, or the same, was not guaranteed. They spent all June and July stretching the limits of improvisational music and re-defining what was possible with a four-piece band.
To call up such a special time in Phish history and evolution, I have created the tertiary installment of Miner's Picks: "Summertime '95." Totaling over vii hours of straight madness, this compilation will surely have you amazed at the mastery and overt psychedelic nature of what Phish did before 1997. Download away!
MINER'S PICKS: Summertime '95 PT. ane (new mediafire link)
MINER'S PICKS: Summertime '95 PT. ii (new media fire link-fixed)
MINER'S PICKS: Summer '95 PT. iii (new mediafire link)
MINER'S PICKS: Summertime '95 PT. 4 (new mediafire link)
Miner'south Picks: Summer '95
1. Mike's > H2 > Weekapaug 6.10 Cerise Rocks, CO
two,three. Runaway Jim > Makisupa 7.ii Sugarbush, VT
4. David Bowie 6.xv Atlanta, GA
v. Reba half-dozen.19 Deer Creek, IN
6,vii. Curtain > Stash half dozen.17 Gainsville, VA
viii,ix. Downward With Affliction > Free 6.26 SPAC
10. Split Open up and Melt six.16 Walnut Creek, NC
eleven,12,13. 2001 > Halley's > Bowie 6.24 Philadelphia, PA
fourteen. Slave to the Traffic Low-cal 6.15 Atlanta, GA
fifteen. Run Like An Antelope 6.23 Waterloo, NJ
anehalf dozen. Mike's Song vi.20 Cuyahoga Falls, OH
17,xviii. Runaway Jim > Gratuitous 6.16 Walnut Creek, NC
19. Harry Hood seven.1 Great Woods, MA
xx. David Bowie 6.19 Deer Creek, IN
21,22. Stash > Strange Design 7.1 Great Woods, MA
23. YEM 6.xix Deer Creek, IN
24,25. Timber Ho > Bowie 7.3 Sugarbush
26. Tweezer 6.xiv Mud Island Amphitheatre, Memphis, TN
(photograph of band: Shoreline 1995, Tim Mosenfelder; Sugarbush: Jon Michael Richter)
Tags: 1995, Miner's Picks
In Case You Missed It: "From the Archives"
Posted in Uncategorized with the tags Jams on August 23rd, 2008 by Mr.Miner
On Thursday, Phish Archivist, Kevin Shapiro, broadcast live via Livephish.com, and bosom out some crispy gems from the archives. His archives show always take me back to the festival days, and the Phish radio stations that broadcast 24/seven. They remind me of the placid puffing of a spliff nearly our tent at the Lemonwheel- on the dark before the
1. Limb by Limb vii.22.97 soundcheck: Kind of a random selection thrown in the lead-off position here. WIth the newly released Raleigh DVD from this date, this is a glimpse of the at-home before the storm- literally. Having merely come dorsum from Europe, this was a vocal yet to debut in America- and was the band getting in some exercise. Perhaps a preview of what was to follow the outset set endmost Gustation, had a lightening bolt non got in the mode. This vocal was the merely song, Shapiro says, that was played in soundcheck and not in the show.
2. Reba 8.16.93 St. Louis, Mo.: A commencement set improvisational masterpiece, this Reba gets dark and practically beat-less earlier slowly building to a unique and triumphant groove. This type of way-out creative improvisation typified much of '93, and more so '94. There is zip "traditional" nigh this Reba, as the band, over again, brings the jam back to virtually nothing before slowly building the familiar Reba groove back, gradually speeding upwards the tempo. This is a delicate and gorgeous slice of music that actually benefits from the soundboard recording. This is a tin't miss.
3. Gumbo 7.29.97 Phoenix, Az.: An emerging funk jam in the Summer of '97, Gumbo was amidst a transformation when they decided to explore its jam at Desert Heaven this evening. A version made famous by Trey, who has since mentioned that he holds this jam in high esteem, this Gumbo was certainly a highlight of the summer. Featuring big bouncing bass lines of Gordon, and both atomic number 82 lines and wah-funk from Trey- this jam screams Summer '97. This was definitely what this tour was all about! Trey's tone gets into some different ranges during the jam as the band is locked in grooveland for virtually ten minutes. Directly Phish crack.
4. Bathtub Gin 6.28.00 PNC, NJ: Proficient to see '00 getting some love here. This Gin is a masterful piece of first fix improvisation that was a major highlight of a great two-night PNC stand. 2000 is a year that gets manner more than flack than it deserves, and I'm glad Shapiro picked out i of the many reasons why. This Gin
v. AC/DC Purse 12.30.97 MSG: In a MSG-dominated New Twelvemonth'southward Run, capping one of the greatest years in Phish history, this Pocketbook stands out every bit the best jam from the 30th. This multi-faceted twenty-plus minute Phish-fest passes through then many improvisational feels and segments, putting the jam on par with several "best-e'er" jams in the autumn of 1997. Assuasive united states to hear the intricacies of the quieter sections of the jam, the soundboard gives us a whole new appreciation for the second half of the Bag! Showcasing many styles of Phish music, this Bag jam is a definitive representation of Phish at the cease of 1997.
six. Brother 5.17.92 Union Higher, Schenectady, Ny: A truly ripping '92 version of this song; the whole band is absolutely crushing on this i. Bringing out Trey's fast and furious side, he wails through the unabridged song, bringing out a side non seen these days. The music sounds like information technology is nearly to burst at the seams as at that place is so much energy pumping through it. Inside its starting time year of being, this Brother represents Phish going for its juvenile jugular.
7. Halley's > David Bowie 11.26.94 Minneapolis, Mn: Everyone loves "A Alive One" 's Slave, only far fewer know the massive ready that 
8. Ghost>Slave vii.4.99 Atlanta. Ga: One of the well-nigh sublime transitions the band has ever pulled off, this Ghost>Slave is ane of Phish's all-time highlights. Opening the second fix of Lakewood's July quaternary commemoration, this Ghost provided heavy dance music to start the fix with the whole band just locked in and killing it. From these Ghost grooves, the band morphed into some of the well-nigh beautiful moments of music as the jam slowly transformed into Slave. This Slave is one for the ages, as Trey hits a lick fairly early in the build and just takes it all the way to the top, as the band simply explodes with majestic music. The energy in the pavilion couldn't have been higher during this jam, as the entire band and audience shared a moment that no i will ever forget. Some other wonderful soundboard treasure that deserves much thanks!
DOWNLOAD THESE Ballsy TRACKS At present!!
From the Archives: 8.xx.08 Office one
From the Archives: 8.20.08 Part ii
THANKS KEVIN!!
AND MUCH THANKS TO cyanidebreathmint who ripped, tracked, and posted these links to PT!!!
Tags: Jams
Just the Jams
Posted in Uncategorized with the tags DJ mixes, Jams on August 22nd, 2008 by Mr.Miner
If you're like me, you've listened to Phish for uncountable hours during your lifetime. I've listened to them for then many hours over the years, I had a desire to increase my "listening efficiency." Hence, the 
I know some purists will not agree with such habits, and always desire to hear a version of a vocal in its entirety, but they fashion I run across it- life is short, why spend time listening to the intros and equanimous sections of songs that are indelibly burned into my brain? Yet, at that place is a time and a identify for everything. 
There I stood with hundreds and hundreds of CDs and no particular idea of where I was gonna' go with this; and so I just started- recording live to my DAT machine- without an ability to overdub or fix mistakes. I made it through my commencement 80-infinitesimal excursion, and while not every transition was perfect, when I listened dorsum to the cosmos, I liked the period of it. I began playing it for others- they too liked it. I emailed it to some friends- they loved it! I had discovered a new hobby- making Phish DJ mixes. (I even DJ'd Phish dance parties using the same technique of sticking with solely masterful improvisation, and lo and behold- people loved information technology!) Using the aforementioned turntables formerly used to play electronic parties, I would create a magical Phish jam laboratory!
And then I began to make more than- on the wing, deciding what jams would naturally flow together- I wove eighty-minute jigsaw puzzles of Phish music. My outset few were with the post-hiatus sbds because the levels were and then even, then branched back into the auds from the past. I believe I have a total of five mixes correct now, iv of which I have posted for download beneath; and when I get the fifth back, I will post that as well. Relish them, get lost in them, attempt to effigy out what jams they are made from, or delete 'em- practise with them as you please! You can heed to my well-nigh recent and my first creations right below here, and the download links for all are right beneath that.
LISTEN TO A DJ MIX NOW>> Summer Tour '08- A Mr, Miner DJ Mix (BIG file. Wait for it to load, or open it in new window)
Summer TOUR '08 TRACKS
(Gorge 97 Tweezer > CCCC Gin 12.7.99 > UIC 97 Bag > Stone Due north Roll Merriweather 9.17.00 > Jim 6.16.00 Osaka > Piper 9.23.00 Chicago > Simple Worcester 98 > Stash seven.1.95 > Tweezer Mud Island vi.xiv.95 > Cypress Drowned 1.one.00)
DOWNLO Advertizement TWO MR. MINER DJ MIXES
DOWNLOAD Another MR. MINER DJ MIX
DOWNLOAD THE LATEST MR. MINER DJ MIX
photos:dank: (11.29.03)
Tags: DJ mixes, Jams
The Summer of '99: Starting up the Mountain
Posted in Uncategorized with the tags 1999, Miner'south Picks on August 21st, 2008 by Mr.Miner
And then much dearest permeates the Phish scene for the years of 1997 and 1998; withal people don't often mention 1999 in the same fashion- and I've never understood this. '97 and '98 were clear steps on the way to 1999- a year that featured a baking summer bout, ii fall tours, and Big Cypress- the millennial festival the band has called the apex of their career. 1999 was defined by the momentum gained over the past two years, melding the musical approaches they had adult, while adding a new "millennial" sound that featured more noise and distortion; prominent walls of audio and color, and fast-paced abstract psychedelia. Every bit the band careened towards Large Cypress in the fall and in Dec, this millennial sound would become more and more prominent- only here we will focus on the beginning of that journeying during the placid days of summer.
Taking a total half dozen months off Phish, Trey initiated his solo trio, and completed a well-received Spring
The music on this tour took the raw funk '97, and the funk/ambience of '98, and incorporated new styles featured on the newly released, The Siket Disc, a collection of instrumental shorts and ambience experiments that went over huge with fans favoring dark, more than adventurous jamming. The upshot was not just an amending of their musical way- no longer solely focused on groove- but also the addition of "My Left Toe" and "What'southward the Use?" to the rotation, 2 songs that got into deep abstract improvisation 
The band was firing on all cylinders all summer, every bit it began its uphill climb to the pinnacle of Big Cypress. While many cite a drib off in consistent balls-to-the-wall playing in the yr of 2000, it was 1999's bulldoze to the millennium that pushed the band to the brink. As Trey and Fish walked off stage at Large Cypress, with tears in their eyes, afterwards reaching, in their opinions, the high point of their career, they 
In honor of such an amazing summer, and to expose a lot of music that may be unfamiliar to a lot of people, I am releasing the second in the series of "Miner's Picks," "Summertime '99." Totaling 34 tracks and over seven and a half hours of music, this compilation should allow everyone to discover, or rediscover the amazing playing that went downwardly during this historic summer. Enjoy! (Photos: band-summer '99, Fishman-oswego)
THE DOWNLOAD LINKS AND Track List IS BELOW:
MINER'S PICKS: Summertime '99 PT. 1 ( all new mediafire links)
MINER'S PICKS: SUMMER '99 PT. ii
MINER'S PICKS: SUMMER '99 PT. iii
MINER'S PICKS: Summertime '99 PT. 4
"MINER"S PICKS: Summertime '99 "
1. Run Similar An Antelope: seven.3 Atlanta
2. Bathtub Gin 6.30 Bonner Springs
3,4. Birds > If I Only Had a Brain 7.8 Va. Embankment
five. 2001 7.seven Charlotte
half-dozen,7. Tweezer > Take Mercy 7.17 Oswego
8,ix,10. Mike's > Unproblematic > My Left Toe seven.21 Star Lake
eleven,12. Reba > Carini 7.13 Great Forest
xiii. Chalkdust vii.10 Camden
14. Free 6.30 Bonner Springs
15,16. Ghost > Slave vii.4 Atlanta
17. Carve up Open 7.12 Bang-up Woods
xviii,19. My Left Toe > Stash 6.xxx Bonner Springs
20,21,22. Tweezer > Catapult > Tweezer 7.24 Tall
23,24. Runaway Jim > Complimentary 7.18 Oswego
25,26,27,28. Meatstick > Split > Kung > Split 7.xv PNC
29,thirty. Birds > Walk Abroad 7.25 Deer Creek
31,32. Halley'south > Roses 7.13 Cracking Woods
33. Tweezer vii.10 Camden
34. YEM vii.one Nashville
VIDEO BONUS: TWEEZER: ALPINE vii.24.99 (IN 2 PARTS)
Tags: 1999, Miner'southward Picks
Five Versions of Free
Posted in Uncategorized with the tags Jams, Songs on August 20th, 2008 by Mr.Miner
Debuted at the classic Lowell 5.16.95 show, with an assortment of new material, "Free" grew from a vocal many fans were initially skeptical about into a fan favorite over the course of a few years. Using metaphor to draw birth, its primeval incarnations featured Page-led piano based jams, with the band diving into soupy
photo: phish.com
and often amorphous textures (Check out SPAC 6.26.95, Jones Beach half dozen.29.95). The addition of Trey's mini drum kit in Autumn '95 took the guitar out of the mix, and the jam seemed to lose direction at times, but it was working its mode into the regular rotation. When a reworked studio version appeared on 1996'south, Billy Breathes, information technology had pb guitar lines non previously played. This new format helped transform the song when Phish shifted towards funk in 1997, taking on a whole new character and danceability. Featuring a crowd rousing Mike bomb section followed by a Trey led group jam, Information technology continued to be a staple until the end. Below are v of my favorite Free's- I'one thousand not trying to fence them equally the "superlative 5"- merely five I dearest. Read a mini-review and mind to each standout version of the song, or download all five versions below.
one. BONNER SPRINGS, KS: 6.30.99: Similar a freight train driving into your skull to open the tour, this Free highlights the second set of the first show of 1999. With the huge Bonner Springs open-air audio, Mike in the middle for the kickoff fourth dimension, driving the course of the jam, and with fume machines pouring against the blood cherry lights blanketing the stage, this Free was as nasty every bit they come. Among this scene Trey swoops in like a hawk with a nasty scowl and rips a dirty tune to initiate his solo line. This massive militant mixture of darkness and groove evokes the very essence of what Complimentary's jam is all about.
LISTEN At present>> six.xxx.99 BONNER SPRINGS Gratuitous
two. MCI Heart, DC: 12.15.99: Information technology is e'er a debated determination amid fans whenever Trey picks upward an musical instrument other than guitar. Yet, this Free contains extended precise rhythmic and melodic use of his tardily '99 keyboard. Trey on keys, begins a drone pattern, that sets upwards a playfully big and boisterous jam with Mike playing some totally unique bass lines. Minutes later, Trey then he hops off keys and begins to shred infectious guitar melodies over the top of information technology all. This Costless is a multi-faceted jam during the climactic two-week run of December 1999- only two weeks before reaching the mountain top at Large Cypress. A unique 15+ minute version that diverts from its usual format, this Free comprises one-half of the centerpiece of the second set with the cute Reba.
LISTEN NOW>> 12.15.99 MCI Centre Gratuitous
3. UIC, IL: xi.9.98: This first fix Free on the tertiary night of an epic Chicago run was an instant classic. The heavy crunching groove factory opened as soon as the jam commenced. The band industrially chugs together, as 
Heed NOW>> 11.9.98 UIC FREE
4. Columbus, OH: 7.23.99: Far heavier and thicker than Polaris '98'due south light summertime funk of Curtain > Gratis; this version is the ending point of an aggressive set-opening Ghost, and a bouncy stop off before some exploratory jamming in the Birds that follows. Basking in the hugeness of the moment, jumping and stomping around while playing searing walls of tone and sound, Trey left his fragile rhythm and funk licks for some other night. Shredding in commanding way, Trey wails heavily in the post bass-flop section of the jam. This Costless brought the amphitheatre to insane levels of free energy amidst a second fix that would terminate in a torrential downpour. Massive in both shape and sound, this is a "tin't miss" raging version of the classic vocal.
Listen At present>> 7.23.99 POLARIS Gratis
5. Darien Lake, NY: 8.14.97: Somewhat of a dark equus caballus, this first set version is one of the early great funk-based > guitar solo shaped Costless. Trey uses delicate rhythm chords to set upwardly the texture of the jam, and then begins to weave tales over the top with great melodic phrasing in his classic '97 tone. Mike and Fish are holding down a deep pocket as the band moves into a directed chance in groove. This version totally rips, strewn with raw Summertime '97 funk, and often gets overshadowed past the second set Bozo-laced journeying to Gamehendge.
LISTEN NOW >> viii.14.97 DARIEN LAKE FREE
DOWNLOAD ALL "FIVE VERSIONS OF Complimentary" RIGHT Here!!
Tags: Jams, Songs
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Source: http://phishthoughts.com/2008/08/
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